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t, small-windowed shops of Copenhagen; I have passed under the pendant tobacco leaves into the primitive cigar-shops of St. Sebastian; I have hobbled, in furs, into the shops of Stockholm; I have been compelled to take a look at the shops of London, Dublin, Edinburgh, Liverpool, and a host of other places; but perfect shopping is to be enjoyed in Paris only; and in the days gone by, the Palais Royal was the centre of this paradise. Alas! the days of its glory are gone. The lines of splendid boulevards, flanked with gorgeous shops and _cafes_; the long arcades of the Rue de Rivoli; and, in fine, the leaning of all that is fashionable, and lofty, and rich to the west, are the causes which have brought the destruction of the Palais Royal. Time was when that quaint old square--the Place-Royale in the Marais--was mighty fashionable. It now lies in the neglected, industrious, factory-crowded east--a kind of Parisian Bloomsbury Square, only infinitely more picturesque, with its quaint, low colonnades. You see the fine Parisians have travelled steadily westward, sloping slowly, like "the Great Orion." They are making their way along the Champs-Elysees to the Avenue de l'Imperatrice; and are constructing white stone aristocratic suburbs. So the foreigners no longer make their way direct to the Palais Royal now, on the morrow of their arrival in Paris. If they be at the Louvre, they bend westward along the Rue de Rivoli, and by the Rue de la Paix, to the brilliant boulevards. If they be in the Grand Hotel, they issue at once upon these famous boulevards, and the ladies are in a feminine paradise at once. Why, exactly opposite to the Grand Hotel is Rudolphi's remarkable shop, packed artistically with his works of art--ay, and of the most finished and cunning art--in oxidized silver. His shop is most admirably adapted to the articles the effect of which he desires to heighten. It is painted black and pointed with delicate gold threads. The rich array of jewellery and the rare ecclesiastical ornaments stand brightly out from the sombre case, and light the window. The precious stones, the lapis lazuli, the malachite, obtain a new brilliance from the rich neutral tints and shades of the chased dulled silver in which they are held. Sophonisba, her mamma and sisters, are not at much trouble to decide the period to which the bracelet, or the brooch, or the earring belongs. "_Cinque cento_, my dear! I know nothing about that. I think it
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