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me? You are only one of many. My manager insists on my assuming this august manner on the stage. You see there's more to it than mere singing. I simply have to play the part of Tannhaeuser that way. Now be good, my child. I have only a few moments left. Let me use them in preparing for tomorrow. MISS COEURNE (rises, dries her tears), I cannot imagine another girl acting like me. GERARDO (man[oe]uvering her to the door). Quite right, my child ... MISS COEURNE (gently resisting him, sobbing). At least not--if ... GERARDO. If my valet were not guarding the door downstairs. MISS COEURNE (as above). --if-- GERARDO. If she is as pretty and charmingly young as you. MISS COEURNE (as above). --if-- GERARDO. If she has heard me just once as Tannhaeuser. MISS COEURNE (sobbing again violently). If she is as respectable as I! GERARDO (pointing to the grand piano). Now, before you leave, take a look at those flowers. Let it be a warning to you, if you should ever feel tempted again to fall in love with a singer. Do you see, how fresh they are, all of them! I just let them fade and go to waste or give them to the porter. Then look at these letters. (Takes a handful from the tray.) I know none of the ladies who have written them; don't you worry. I leave them to their fate. What else can I do? But, you may believe me, every one of your charming young friends is among them. MISS COEURNE (pleadingly). Well, I won't hide myself a second time.--I won't do it again ... GERARDO. Really, my child, I haven't any more time. It's too bad, but I am about to leave town. I told you, did I not, that I am sorry for you? I really am, but my train is scheduled to leave in twenty-five minutes. So what more do you want? MISS COEURNE. A kiss. GERARDO (standing up stiff and straight). From me? MISS COEURNE. Yes. GERARDO (putting his arm around her, dignified, but sympathetic). You are desecrating art, my child. Do you really think it's for this that they are willing to pay my weight in gold? Get older first and learn to respect more highly the chaste goddess to whom I devote my life and labor.--You don't know whom I mean? MISS COEURNE. No. GERARDO. That's what I thought. Now, in order not to be inhuman, I will present you with my picture. Will you give me your word that after that you will leave me? MISS COEURNE. Yes. GERARDO. Very well, then. (Walks back of the table to sign one of his photographs.) Why don't
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