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The Project Gutenberg EBook of Discourse on Criticism and of Poetry (1707) by Samuel Cobb This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Discourse on Criticism and of Poetry (1707) From Poems On Several Occasions (1707) Author: Samuel Cobb Release Date: December 30, 2004 [EBook #14528] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DISCOURSE ON POETRY *** Produced by David Starner, Robert Ledger and the PG Online Distributed Proofreading Team _Series Two:_ _Essays on Poetry and Language_ No. 1 Samuel Cobb's Discourse on Criticism and of Poetry from Poems on Several Occasions (1707) With an Introduction by Louis I. Bredvold The Augustan Reprint Society July, 1946 Membership in the Augustan Reprint Society entitles the subscriber to six publications issued each year. The annual membership fee is $2.50. Address subscriptions and communications to The Augustan Reprint Society in care of the General Editors: Richard C. Boys, University of Michigan, Ann Arbor, Michigan; or Edward N. Hooker or H.T. Swedenberg, Jr., University of California, Los Angeles 24, California. Editorial Advisors: Louis I. Bredvold, University of Michigan, Ann Arbor, Michigan, and James L. Clifford, Columbia University, New York. Introduction What little is known of the life of Samuel Cobb (1675-1713) may be found in the brief article in the _Dictionary of National Biography_ by W.P. Courtney. He was born in London, and educated at Christ's Hospital and at Trinity College, Cambridge, where he obtained the degrees of B.A., 1698, and M.A., 1702. He was appointed "under grammar master" at Christ's Hospital in 1702 and continued his connection with this school until his early death. He had a reputation for wit and learning, and also for imbibing somewhat too freely. In his poetry he especially cultivated the style of the free Pindaric ode, a predilection which won him a mention without honor in Johnson's life of Pope (_Lives of the Poets_, ed. Birkbeck Hill, III, 227). Even the heroic couplets of his poem on "Poetry" aim rather at pseudo-Pindaric diffuseness than at epigrammatic concentration of statement. As a
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