BARCLAY'S NOVELS
May be had wherever books are sold. Ask for Grosset & Dunlap's list.
THE WHITE LADIES OF WORCESTER
A novel of the 12th Century. The heroine, believing she had lost her
lover, enters a convent. He returns, and interesting developments
follow.
THE UPAS TREE
A love story of rare charm. It deal with a successful author and his
wife.
THROUGH THE POSTERN GATE
The story of a seven day courtship, in which the discrepancy in ages
vanished into insignificance before the convincing demonstration of
abiding love.
THE ROSARY
The story of a young artist who is reputed to love beauty above all else
in the world, but who, when blinded through an accident, gains life's
greatest happiness. A rare story of the great passion of two real people
superbly capable of love, its sacrifices and its exceeding reward.
THE MISTRESS OF SHENSTONE
The lovely young Lady Ingleby, recently widowed by the death of a
husband who never understood her, meets a fine, clean young chap who is
ignorant of her title and they fall deeply in love with each other. When
he learns her real identity a situation of singular power is developed.
THE BROKEN HALO
The story of a young man whose religious belief was shattered in
childhood and restored to him by the little white lady, many
years older than himself, to whom he is passionately devoted.
THE FOLLOWING OF THE STAR
The story of a young missionary, who, about to start for Africa, marries
wealthy Diana Rivers, in order to help her fulfill the conditions of her
uncle's will, and how they finally come to love each other and are
reunited after experiences that soften and purify.
GROSSET & DUNLAP, PUBLISHERS, NEW YORK
* * * * *
Transcriber's note:
There are inconsistencies in hyphenation, accentation, and dialect. All
are as in the book.
***END OF THE PROJECT GUTENBERG EBOOK WHERE THE PAVEMENT ENDS***
******* This file should be named 32946.txt or 32946.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/3/2/9/4/32946
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright
|