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s, he found that others had striven well, yet almost vainly in the field. Men working for truth and justice as other men work for gold, had attacked the public with solid battalions of facts, tabulated infamies; there had been meetings, discussions, words, _palabres_, as they say in the south; but the murderer had calmly gone on with his work, and England had put out no hand to stay him. But it was not till he reached America, that Adams found himself fighting the machine itself. One great man with a living voice he found--Mark Twain--and one great paper, at least. These had raised their voices calling for Justice--with what result? Two side facts the skull of Papeete showed to the searcher, as a lamp shows up other things than the things searched for. The deadness of the English Church to the spiritual, and the corruption of his own countrymen. When he had finished, it was dark outside. The firelight lit up the little room. Glancing through the diamond-paned window at that happy interior, one would never have guessed that the man by the fire had been telling the girl by his side not a love story, but the story of the world's greatest crime. Maxine, whose hand was resting on the hand of her companion, said nothing for a moment after he had ceased speaking. Then, in a half-whisper, and leaning her forehead on his hand, "Poor things," sighed Maxine. So attuned were her thoughts to the thoughts of her companion, that she voiced the very words that were in his mind, as gazing beyond his own happiness and a thousand miles of sea and forest, he saw again the moonlight on the mist of the Silent Pools, and the bleached and miserable bones. THE END End of Project Gutenberg's The Pools of Silence, by H. de Vere Stacpoole *** END OF THIS PROJECT GUTENBERG EBOOK THE POOLS OF SILENCE *** ***** This file should be named 26889.txt or 26889.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/8/8/26889/ Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special r
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