Project Gutenberg's Practical Grammar and Composition, by Thomas Wood
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Practical Grammar and Composition
Author: Thomas Wood
Release Date: September 11, 2007 [EBook #22577]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK PRACTICAL GRAMMAR AND COMPOSITION ***
Produced by Robert J. Hall
PRACTICAL GRAMMAR AND COMPOSITION
BY
THOMAS WOOD, A.M., LL.B.
THE BRADDOCK (PENNSYLVANIA) HIGH SCHOOL
D. APPLETON AND COMPANY
NEW YORK CHICAGO
PREFACE
This book was begun as a result of the author's experience in teaching
some classes in English in the night preparatory department of
the Carnegie Technical Schools of Pittsburg. The pupils in those
classes were all adults, and needed only such a course as would
enable them to express themselves in clear and correct English.
English Grammar, with them, was not to be preliminary to the grammar
of another language, and composition was not to be studied beyond
the everyday needs of the practical man.
Great difficulty was experienced because of inability to secure a
text that was suited to the needs of the class. A book was needed
that would be simple, direct and dignified; that would cover grammar,
and the essential principles of sentence structure, choice of words,
and general composition; that would deal particularly with the sources
of frequent error, and would omit the non-essential points; and,
finally that would contain an abundance of exercises and practical
work.
It is with these ends in view that this book has been prepared. The
parts devoted to grammar have followed a plan varying widely from
that of most grammars, and an effort has been made to secure a more
sensible and effective treatment. The parts devoted to composition
contain brief expositions of only the essential principles of ordinary
composition. Especial stress has been laid upon letter-writing,
since this is believed to be one of the most practical fields for
actual composition work. Because such a style seemed best suited to
the general scheme and purpose of the book, the method of treatment
has at times been intentionally rather formal.
Abundant and varied ex
|