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Project Gutenberg's A History of French Literature, by Edward Dowden This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A History of French Literature Short Histories of the Literatures of the World: II. Author: Edward Dowden Editor: Edmund Gosse Release Date: February 27, 2008 [EBook #24700] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A HISTORY OF FRENCH LITERATURE *** Produced by Ron Swanson Short Histories of the Literatures of the World: II. Edited by Edmund Gosse A History of FRENCH LITERATURE BY EDWARD DOWDEN D.LITT., LL.D. (DUB.), D.C.L. (OXON.), LL.D. (EDIN.) LL.D. (PRINCETON) PROFESSOR OF ENGLISH LITERATURE IN THE UNIVERSITY OF DUBLIN London WILLIAM HEINEMANN MCMXIV _First Edition_, 1897 _New Impressions_, 1899, 1904, 1907, 1911, 1914 _Copyright, London_ 1897, _by William Heinemann_ PREFACE French prose and French poetry had interested me during so many years that when Mr. Gosse invited me to write this book I knew that I was qualified in one particular--the love of my subject. Qualified in knowledge I was not, and could not be. No one can pretend to know the whole of a vast literature. He may have opened many books and turned many pages; he cannot have penetrated to the soul of all books from the _Song of Roland_ to _Toute la Lyre_. Without reaching its spirit, to read a book is little more than to amuse the eye with printed type. An adequate history of a great literature can be written only by collaboration. Professor Petit de Julleville, in the excellent _Histoire de la Langue et de la Litterature Francaise_, at present in process of publication, has his well-instructed specialist for each chapter. In this small volume I too, while constantly exercising my own judgment, have had my collaborators--the ablest and most learned students of French literature--who have written each a part of my book, while somehow it seems that I have written the whole. My collaborators are on my shelves. Without them I could not have accomplished my task; here I give them credit for their assistance. Some have written general histories of French literature; some have written hi
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