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t from the propaganda pictures already referred to, there are propaganda plays performed by the Red Army in its spare moments, and there are the mass pageant plays performed on State occasions. I had the good fortune to witness one of each kind. The play was called _Zarevo_ (The Dawn), and was performed on a Saturday night on a small stage in a small hall in an entirely amateur fashion. It represented Russian life just before the revolution. It was intense and tragic and passionately acted. Dramatic talent is not rare in Russia. Almost the only comic relief was provided by the Tsarist police, who made one appearance towards the end, got up like comic military characters in a musical comedy--just as, in mediaeval miracle plays, the comic character was Satan. The play's intention was to show a typical Russian working-class family. There were the old father, constantly drunk on vodka, alternately maudlin and scolding; the old mother; two sons, the one a Communist and the other an Anarchist; the wife of the Communist, who did dressmaking; her sister, a prostitute; and a young girl of _bourgeois_ family, also a Communist, involved in a plot with the Communist son, who was of course the hero of the play. The first act revealed the stern and heroic Communist maintaining his views despite the reproaches of father and mother and the nagging of his wife. It showed also the Anarchist brother (as might be expected from the Bolshevik hostility to Anarchism) as an unruly, lazy, ne'er-do-well, with a passionate love for Sonia, the young _bourgeoise_, which was likely to become dangerous if not returned. She, on the other hand, obviously preferred the Communist. It was clear that he returned her love, but it was not quite clear that he would wish the relation to be anything more than platonic comradeship in the service of their common ideal. An unsuccessful strike, bringing want and danger from the police, together with increasing jealousy on the part of the Anarchist, led up to the tragic denouement. I was not quite definite as to how this was brought about. All violent action was performed off the stage, and this made the plot at times difficult to follow. But it seemed that the Anarchist in a jealous rage forged a letter from his brother to bring Sonia to a rendezvous, and there murdered her, at the same time betraying his brother to the police. When the latter came to effect his arrest, and accuse him also, as the most likely p
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