vation, any
well-timed silence, an "oh" uttered in an appropriate place instead
of an "Ah," secures from her, as from M. Talleyrand, a diploma of good
breeding which is the commencement of fame and the promise of a fortune.
Under such an "instructress" it is evident that deportment, gesture,
language, every act or omission in this mundane sphere, becomes, like
a picture or poem, a veritable work of art; that is to say, infinite in
refinement, at once studied and easy, and so harmonious in its details
that its perfection conceals the difficulty of combining them.
A great lady "receives ten persons with one courtesy, bestowing on each,
through the head or by a glance, all that he is entitled to;"[2249]
meaning by this the shade of regard due to each phase of position,
consideration, and birth. "She has always to deal with easily irritated
amour-propres; consequently the slightest deficiency in proportion
would be promptly detected,"[2250] But she is never mistaken, and
never hesitates in these subtle distinctions; with incomparable tact,
dexterity, and flexibility of tone, she regulates the degrees of her
welcome. She has one "for women of condition, one for women of quality,
one for women of the court, one for titled women, one for women of
historic names, another for women of high birth personally, but married
to men beneath them; another for women who by marriage have changed a
common into a distinguished name; another still for women of reputable
names in the law; and, finally, another for those whose relief consists
chiefly of expensive houses and good suppers." A stranger would be
amazed on seeing with what certain and adroit steps she circulates among
so many watchful vanities without ever hurting or being hurt. "She knows
how to express all through the style of her salutations; a varied style,
extending through imperceptible gradations, from the accessory of a
single shrug of the shoulder, almost an impertinence, to that noble and
deferential reverence which so few women, even of the court, know how to
do well; that slow bending forward, with lowered eyes and straightened
figure, gradually recovering and modestly glancing at the person while
gracefully raising the body up, altogether much more refined and more
delicate than words, but very expressive as the means of manifesting
respect."--This is but a single action, and very common; there are
a hundred others, and of importance. Imagine, if it is possible, the
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