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always such nice neat soldiers, and they never have their uniforms mussed up or their accouterments disarranged, even when they are being shot up or cut down or something. Corot and Rousseau did some landscapes that seem to approximate the real thing, and there are several others whose names escape me; but, speaking for myself alone, I wish to say that this is about as far as I can go at this writing. I must admit that I have never been held spellbound and enthralled for hours on a stretch by a contemplation of the inscrutable smile on Mona Lisa. To me she seems merely a lady smiling about something--simply that and nothing more. [Illustration: "THE INSCRUTABLE SMILE OF A SALESLADY WOULD MAKE MONA LISA SEEM A MERE AMATEUR"] Any woman can smile inscrutably; that is one of the specialties of the sex. The inscrutable smile of a saleslady in an exclusive Fifth Avenue shop when a customer asks to look at something a little cheaper would make Mona Lisa seem a mere amateur as an inscrutable smiler. Quite a number of us remained perfectly calm when some gentlemen stole Miss Lisa out of the Louvre, and we expect to remain equally calm if she is never restored. As I said before, our little band is shrinking in numbers day by day. The population as a whole are being educated up to higher ideals in art. On the wings of symbolism and idealism they are soaring ever higher and higher, until a whole lot of them must be getting dizzy in the head by now. First, there was the impressionistic school, which started it; and then there was the post-impressionistic school, suffering from the same disease but in a more violent form; and here just recently there have come along the Cubists and the Futurists. [Illustration: "A PERSON WHO FOR REASONS BEST KNOWN TO THE POLICE HAS NOT BEEN LOCKED UP"] You know about the Cubists? A Cubist is a person who for reasons best known to the police has not been locked up yet, who asserts that all things in Nature, living and inanimate, properly resolve themselves into cubes. What is more, he goes and paints pictures to prove it--pictures of cubic waterfalls pouring down cubic precipices, and cubic ships sailing on cubic oceans, and cubic cows being milked by cubic milkmaids. He makes portraits, too--portraits of persons with cubic hands and cubic feet, who are smoking cubed cigarettes and have solid cubiform heads. On that last proposition we are with them unanimously; we will concede that the
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