ers before the action
begins, and to make a portion of the plot turn upon a psychological
change in one of them shows that even sensation-loving readers were
demanding a stricter veracity of treatment than had hitherto been
necessary.
But perhaps the most careful interlocking of character and event to be
found among these embryo novels is contained in "The Life of Madam De
Villesache. Written by a Lady, who was an Eye-witness of the greatest
part of her Adventures, and faithfully Translated from her French
Manuscript. By Mrs. Eliza Haywood" (1727). Since no original source for
this story has come to light, we may probably assume that the French
manuscript was a complete fabrication on the part of the English author.
At any rate, the tale was one of passion and intrigue such as she
delighted to compose.
Henrietta, daughter of a certain Duke, grows up in obscure circumstances
to be a miracle of beauty. When her father comes to carry her to court,
her rustic lover, Clermont, pleads so effectually that she consents to a
secret union with him. In the glare of the court she half forgets her
country husband until too fatally reminded of him by being sought in
marriage by the Marquis of Ab----lle. Her attempts at evasion are vain,
and rather than face her father's anger, she permits herself to be
married a second time. She has not long enjoyed her new rank when
Clermont, whom she has informed of her step, appears to reproach her and
to claim his rights. Still irresolute, she persuades him by tears and
prayers not to expose her perfidy, and secretly admits him to a
husband's privileges. In due time the pair are caught by the Marquis,
and to avoid his rage confess their prior marriage. Clermont is thrown
into prison, where he dies not without suspicion of poison. Henrietta
retires to convent, but the Duke, her father, in order to gain the
Marquis's estate for her unborn infant, manages to stifle the evidence
of her first marriage. Enraged that he cannot obtain a divorce, the
Marquis resolves to be revenged upon his perjured wife. He intercepts
her coach in a wood outside of Paris and brutally murders her. The Duke
orders her magnificently buried. Although nothing against the Marquis
can be proved, he is not allowed to escape the vengeance of heaven, but
goes mad and in a lucid interval just before death confesses his crimes.
The weakness and irresolution of the heroine are made the pivot of each
turning point in the plot. W
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