we gaze,
And to life's author, raptur'd, pour out praise.
What beauties dost thou open to the sight,
Untwisting all the golden threads of light!
Each parent colour tracing to its source,
Distinct they live, obedient to thy force!
Nought from thy penetration is conceal'd,
And light, himself, shines to thy soul reveal'd.
So when the sacred writings you display,
And on the mental eye shed purer day;
In radiant colours truth array'd we see,
Confess her charms, and guided up by thee;
Soaring sublime, on contemplation's wings,
The fountain seek, whence truth eternal springs.
Fain would I wake the consecrated lyre,
And sing the sentiments thou didst inspire!
But find my strength unequal to a theme,
Which asks a Milton's, or a Seraph's flame!
If, thro' weak words, one ray of reason shine,
Thine was the thought, the errors only mine.
Yet may these numbers to thy soul impart
The humble incense of a grateful heart.
Trifles, with God himself, acceptance find,
If offer'd with sincerity of mind;
Then, like the Deity, indulgence shew,
Thou, most like him, of all his works below.
FOOTNOTES:
[1] An extravagant compliment; for Mrs. Pilkington was far from being a
beauty.
[2] Of which, she says, she received only 15 l.
* * * * *
Mr. THOMAS SOUTHERN.
This eminent poet was born in Dublin, on the year of the Restoration of
Charles the IId. and received his early education at the university
there. In the 18th year of his age, he quitted Ireland, and as his
intention was to pursue a lucrative profession, he entered himself in
the Middle-Temple. But the natural vivacity of his mind overcoming
considerations of advantage, he quitted that state of life, and entered
into the more agreeable service of the Muses[1].
The first dramatic performance of Mr. Southern, his Persian Prince, or
Loyal Brother, was acted in the year 1682. The story is taken from
Thamas Prince of Persia, a Novel; and the scene is laid in Ispahan in
Persia. This play was introduced at a time when the Tory interest was
triumphant in England, and the character of the Loyal brother was no
doubt intended to compliment James Duke of York, who afterwards rewarded
the poet for his service. To this Tragedy Mr. Dryden wrote the Prologue
and Epilogue, which furnished Mr. Southern with an opportunity of saying
in his dedication, 'That the Laureat's own pen secured me, main
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