vished on me. His health
is failing,--his means are small; pray, call upon him sometimes, and see
that the lodging-house people do not neglect him. Draw upon me for what
may be wanting for his needs or for his comforts."
Mr. H. promised, and faithfully replaced the Prince in his kind
attentions to his old friend. The poor old man grew ill at last, and
died, Mr. H. defraying all the charges of his illness and of his
funeral. "I would willingly have paid them myself," said he, "but I knew
that would have offended and grieved the Prince. I found that provision
had been made at his banker's to answer my drafts to a much larger
amount than the actual debt."
Miss Mitford used to say that she kept this anecdote for non-admirers of
the Emperor.
One day she came limping into the room, with her dog Fanchon following
in the same lame plight,--she laughing heartily at their similarity of
gait, and holding up a letter just in from the post.
"Here," said she, "is an epistle from my dear old friend, Lady M.,"
(Gibbon's correspondent,) "who at the age of eighty-three is caught
by new books, and is as enthusiastic as a girl. She commissions me to
inquire of you all about your new authoress, the writer of 'Uncle Tom's
Cabin,' who she is, and all you know of her. So let me hear what you
have to say about the lady."
During a brief visit to her cottage not long before she died, the chase
was started one evening to find, if possible, the origin of the line
quoted by Byron,--
"A fellow-feeling makes one wondrous kind."
In vain we searched among the poets, and at last all the party gave up
in despair. I went up to London soon after, thinking no more of the lost
line. In a few days, however, came a brief note, as follows:--
"Hurrah, dear friend! I have found the line without any other person's
aid or suggestion! Last night it occurred to me that it was in some
prologue or epilogue; and my little book-room being very rich in the
drama, I have looked through many hundreds of those bits of rhyme, and
at last made a discovery, which, if it have no other good effect, will
at least have 'emptied my head of Corsica,' as Johnson said to Boswell;
for never was the great biographer more haunted by the thought of Paoli
than I by that line. It occurs in an epilogue by Garrick, on quitting
the stage, June, 1776, when the performance was for the benefit of sick
and aged actors.
"Not finding it quoted in Johnson convinced me that it would
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