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The Project Gutenberg EBook of The Technique of Fiction Writing, by Robert Saunders Dowst This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Technique of Fiction Writing Author: Robert Saunders Dowst Release Date: April 22, 2010 [EBook #32092] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TECHNIQUE OF FICTION WRITING *** Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE TECHNIQUE OF FICTION WRITING "The one excuse and breath of art--charm."--_Stevenson._ The Technique of Fiction Writing By ROBERT SAUNDERS DOWST JAMES KNAPP REEVE PUBLISHER FRANKLIN, OHIO Copyright, 1918 The Editor Company Copyright, 1921 James Knapp Reeve _TO C. K. R. D._ PREFACE Many books have been written on fiction technique, and the chief excuse for the present addition to the number is the complexity of the subject. Its range is so wide, it calls for so many and so different capacities in one attempting to discuss it, that a new work has more than a chance to meet at least two or three deficiencies in all other treatments. I believe that the chief deficiency in most works on fiction technique is that the author unconsciously has slipped from the viewpoint of a writer of a story to that of a reader. Now a reader without intention to try his own hand at the game is not playing fair in studying technique, and a book on technique has no business to entertain him. Accordingly, I have striven to keep to the viewpoint of one who seeks to learn how to write stories, and have made no attempt to analyze the work of masters of fiction for the sake of the analysis alone. Such analysis is interesting to make, and also interesting to read, but it is not directly profitable to the writer. It is indirectly profitable, of course, but it will give very little direct aid to one who has a definite story idea and wishes to be told the things he must consider in developing it and writing the story, or to one who wishes to be told
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